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Extraits de la première Session modèle vivant organisée par la team CFSL, qui a eu lieu hier dans leur locaux partagés. 2 modèles, 3 heures de poses chacune, la seconde était particulièrement inspirante et inventive ; on la voit dans la majorité des sketches ici :). Chaque pose durait 5 ou 10min. J’utilisais des crayons aquarellables et un peu d’acrylique diluée.
Ça faisait des années que je n’avais pas fait de vrai session comme ça, et ça m’a un peu réconciliée avec les crayons (l’ambiance était particulièrement studieuse d’ailleurs o_o). Un grand merci à l’orga ! / Info
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Extracts of the first live model session organized by the CFSL team, 2 models, 3 hours of poses each, the second model was particularly inspiring and inventive, she’s present in the most sketches here :). Each pose lasted 5 or 10min. I used watercolor pencils and a bit of acrylic painting.
It had been years since I had not attended a session like this, which has reconciled myself with the pencils. The mood was particularly studious over there ! / Info
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*clic*
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Reprise d’une illust débutée pendant le Workshop CFSL ; je suis partie un peu trop loin dans les détails, c’était bien le bordel et j’ai passé beaucoup d’heures dessus… mais j’ai réussi à la finir, c’est formidable ! Il y en 2 autres du workshop qui me font la gueule (je parle bien sûr des illust), j’essayerai de m’en occuper bientôt…
et j’dois faire une collab avec Melody (Yokaï ? Sentaï ?) et pas qu’avec elle d’ailleurs… va y avoir du boulot ! :p
Illustration started during the CFSL Workshop, I got lost into details, it became a mess and I spent many hours on it … but I managed to finish it ! There are 2 others from the Workshop which are not yet finished, I’ll try to take care of these today…
I should also do a collab with Melody pretty soon (Yokai ? Sentaï ?) and others … a lot of work is coming!
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Je vous laisse aussi la version rough (1h30 de taff pendant le Workshop).
Below the first step done during the Workshop (1h30 of work).
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Pantha du Prince - Black Noise (album)
Fresh sound, thanks Manu !
Extraits d’une nouvelle session de la semaine dernière, avec Ciia, Arthur de Pins, Thierry Rivière, HPX, Alexandra Petracchi, Boz, Thomas et moi (j’espère oublier personne :3). C’est très dark, désolée. Une vidéo japonaise a fortement influencé cette séance, attention c’est pas trop pour les enfants 
New drawing session done last week, with Ciia, Arthur de Pins, Thierry Rivière, HPX, Alexandra Petracchi, Boz, Thomas and myself. A japanese video has strongly inspired this session, not really suitable for children 
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CFSL.net révèle la selection des auteurs et la couv’ (Gate & Nenent) du artbook CFSL 04, qui sortira en mai 2010. 157 sélectionnés pour 499 images, sur 4 000 illustrations & 660 candidatures soumises. Merci encore à toute la team pour la selection et votre travail titanesque
CFSL.net reveals the selection and the cover of the Artbook 04. 4 000 pictures received, 660 candidates, 499 choosen images, 157 published artists. Release date : May 2010.
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Voici quelques ‘vieilleries’ 2006 jamais montrées jusqu’à présent ; j’alimente le blog avec ça faute de temps pour faire du neuf :3… Plus sérieusement, c’est surtout pour exprimer ma frustration de ne pouvoir refaire ce genre de chose aujourd’hui avec la spontanéité que j’avais à l’époque. La lassitude (et la flemme) doivent jouer.
Here are some old stuff done in 2006 that I’ve never shown till now ; I feed the blog with that, lapse of time to do something new :3 … Actually I wanted to express my frustration at not being able to do these things again with the same spontaneity that I had before. Probably too much bored and lazy I am.
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The video is launched ! $40. 2 hours, French with English subtitles. 2 parts : drawing and digital painting. Info on ConceptArt.org, purchase here.
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Special Thanks to :
Aaron for making the video and his patience,
Clotilde for helping with the subtitles,
Massive Black & ConceptArt for their trust,
Nox and Aleksi for playing with us during the interview and for their advice !
Romain for helping me to synthesize the concept of the video,
Bonne Graine’s people and Arthur for lending their place
And everyone who encouraged me to do it.
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Description
While creating a new piece, a lot of trained artists already have a precise idea of what they are after. The picture they want to create is like a set destination, and they work rigorously until this destination is reached. While technique and academic training are necessary in the creation of any piece of artwork, some artists feel they are sometimes trapped by these and feel a need to free themselves. This often manifests with an artist being bored by his own work, feeling that he lacks imagination.
One can reasonably ask themselves if for such artists, these academic methods discriminate against the most unconventional ideas. And yet, these are the ideas I want to embrace and develop.
Rather than working with a set destination in mind, I like my personal works to take me wherever they want to go. Thus the destination is never set, it evolves during the making of the picture. This is the way I feel the most free, and this is the way that I feel my ideas won’t curb themselves to a limited space. To achieve this, I use a work flow based on spontaneity and instinctive feeling. Of course, a basic idea of what I want to do is necessary, or else it would be like closing my eyes and wiggling my hand at the canvas aimlessly. That starting idea can be anything, but I will use it as a starting point rather than as a goal. I won’t use construction lines. What I want is to explore the canvas in a more unpredictable way, and the key to that is to take advantage of accidents.
While my work can be described as being figurative, the path that leads me to that is a more abstract one. I feel that the more free I am, the more free the observer will be to interpret my works. Of course, such a free approach makes more sense in the context of more intimate, personal works.
Thanks NinoMojo -Romain- for helping me
to synthesize and write the concept of the video !
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L’interview dont je parle n’est pas encore disponible, je travaille dessus Un teaser aussi est à venir. The interview is not yet available, I’m working on it A teaser is also coming pretty soon.
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Lucky and Unhappy - Air
La rage dure qui se fait amère entre tes dents, échoua à sa dague soumission qu’il agitait sévèrement. ~ The rage which lasts and becomes bitter in your mouth, has failed against his power dagger that he severely shook [...].
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Veronique Meignaud, Alfo Buscaglia & Maya Mihindou.
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Le dernier Skydoll - Doll’s Factory 2 (Alessandro Barbucci & Barbara Canepa - Soleil/Marvel) qui sort ce mois-ci, ressemble plus à un mini artbook qu’à un comics classique On y découvre d’ailleurs une bonne quantité de ‘fan art’ variés et de qualité (Corrado Mastantuono, Arthur de Pins, Nenent, Guezav, Claire Wendling, Lostfish…).
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Doll’s Factory 2 (Soleil/Marvel) is released on February 2010, it looks more like an artbook than a classic comics, partly because of the large amount of beautiful tributes with various styles.
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Lodovica.
